RAMP Concert 7 Xenia Pestova Bennett, Yonit Kosovske, Sarah Groser
Xenia Pestova Bennett's new work BAILE/home interweaves text, field recordings, and early music instruments to explore migration, memory, and (be)longing, presented alongside contemporary and historical repertoire.
Rathmullan
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Sarah Groser studied Baroque cello with Charles Medlam and Jaap ter Linden before concentrating fully on the viola da gamba in all sizes. A former member of the Rose Consort of Viols and Sonnerie, she has played with Fretwork, London Baroque, and the Irish Baroque Orchestra since moving to West Cork in 2001.
Yonit Kosovske performs as soloist, chamber musician, and interdisciplinary artist on harpsichord, fortepiano, clavichord, and piano, specialising in repertoire from the 16th century to the contemporary. She has commissioned new works from Xenia Pestova Bennett, Ailís Ní Ríain, and Tal Arbel, and co-directs the Limerick Early Music Festival.
Xenia Pestova Bennett is a pianist, composer, and improviser whose work spans contemporary art music, free improvisation, experimental electronica, and avant-pop. She has commissioned dozens of new works and collaborated with Annea Lockwood, Karlheinz Essl, and Gayle Young. Her ten studio albums include acclaimed recordings of Cage, Stockhausen, and Essl.
An event by Northern Lights Project
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